Thursday, July 7, 2011

j.philip gabriel visits hokkaido


J. Philip Gabriel, professor of Japanese literature and head of the Department of East Asian Studies at the University of Arizona, has translated the works of such noted Japanese writers as Murakami Haruki and Oe Kenzaburo. Phil first came to my attention several years ago, when I came across his book Spirit Matters: The Transcendent in Modern Japanese Literature. He spends a good part of the book discussing the works of Miura Ayako (specifically Hyoten and Shiokari Pass) in a way that convinced me I had found that rare Western academic who "got" what Miura was all about and actually valued it.

Through our sporadic email correspondence, I learned that Phil was interested in writing about Miura Ayako's novel Juko, the last novel she wrote before her death in 1999. Imagine how excited I was when he emailed me earlier this year to say he would be making his first trip to Hokkaido in June! Unfortunately, I was unable to accompany Phil and his wife Junko to Asahikawa, Miura's homeground. But they went to the trouble of visiting me at my home in Sapporo, where we had a stimulating discussion on how to get more exposure for Miura's works in the West.


In Asahikawa, Phil visited the Miura Ayako Literature Museum where he had the good fortune to run into Ayako's husband Mitsuyo. He told me the trip hardened his resolve to write about Juko, which was very good to hear. Having a translator and scholar of his caliber committed to writing about Miura's works is a huge encouragement to me. I'm hoping that between the two of us, and with the support of our various networks, we will have more success in introducing Miura lit to English readers than we might have had on own own.
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Friday, April 29, 2011

for miura fans in india!


Yoshimitsu Hasegawa, the head of the Miura Ayako Dokushokai (Miura Ayako Readers Association) will be in India on May 7 to give a talk about Miura Ayako's works and what she had to say on the subject of what it means to live.


Location: Delhi Bible Church, V20 Green Park Extn.
Time: May 7 (Saturday), 2011 15:00~17:00

Contact Ms. Yoshida by May 4 (Wednesday) for further information:
email her at grace011205@yahoo.co.jp
or telephone her at 97-1177-7984
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Sunday, September 19, 2010

translators who blazed the trail (2)


In 1991, OMF Books published an English translation of Yuki no Arubamu under the title A Heart of Winter. The translators were Mark Caprio and Clyde Moneyhun. They did a great job of it-- the translation makes for smooth reading. It is a slim, pocket-sized book, easy to give as a gift or carry around and read in spare moments. The copy on the back cover says: "This novel captures the depth of hurt and need for healing and wholeness... [it] illustrates, without maddening pat answers, that the bitter pain of abandonment, ridicule, betrayal and revenge need not be the final experience... Above all, this is a story of hope!"

Two months ago, one of my several attempts to contact the translators by email finally reached Mark Caprio, and I was able to ask him about his experience translating this book. This is part of what he shared with me:

We started out just looking for something to translate. Clyde and I had met at an Aikido dojo in Nagoya. By coincidence we had both studied at the University of Arizona in Tucson a few years prior to our meeting. I was an avid reader of Japanese literature at the time, making my way through Kawabata, Endo, Sono Ayako, and others.

Clyde was rather new to Japan, arriving after having completed studies in creative writing. I stumbled on Miura Ayako through a Brother George Pope. We were taught at Nanzan University and often talked over lunch about different things. I believe he mentioned Miura to me. Since he could not read Japanese I said that I would see if I could translate one of her books. Both Clyde and I were after the experience of completing a translation anyway.
I remember that it was Hyoten that I first read. The story moved me to the extent of wanting to translate it. I wrote Miura asking for permission and she answered by saying that it was already being translated. Flattered that she had even answered my letter, I decided to press my luck and ask her to suggest a book to translate. She recommended her latest book, Yuki no Arubamu [album of snow]. I read it and talked with Clyde about it. We decided to translate it.

Our division of labor broke down as follows: I put her words into English, Clyde molded my crude English into prose, and I checked to ensure that his writing honored Miura's original Japanese. We had been given us a deadline--which I believe we just missed--and a contact in Tokyo who would check our work. She also had a second person, a native English speaker, in Sapporo read our manuscript.
After passing the above checks we had to find a publisher. We tried Tuttle [but they turned it down] . Miura's Tokyo agent then recommended we try OMF based in Singapore [who agreed to publish it].

Unfortunately, A Heart of Winter is out of print. But like other out-of-print English translations of Miura's works, it can sometimes be found for sale on online used-book sites, so I encourage you to look for it if you don't already have a copy.

Friday, September 3, 2010

translators who blazed the trail (1)


The first book by Miura Ayako that I ever read in English translation was The Wind is Howling (InterVarsity Press, 1977), an abridged translation of Michi ariki, the first in Miura's autobiographical trilogy that includes Michi ariki, Kono tsuchi no utsuwa o mo, and Hikari aru uchi ni.

I had been reading Miura's works in the original Japanese for some time by then, and was nurturing my own dream of becoming a professional translator. Totally impressed by the smooth and authentic readability of The Wind is Howling, I immediately became curious about the translator, Valerie Griffiths. But it wasn't until recently (over thirty years later!) that I made an effort to contact her, and even in the age of the internet, this wasn't easy. Finally, one of my email queries reached her, and I was honored to receive a reply from Valerie herself! What a thrill this was!

I'd like to share a little of what Valerie told me about how she came to translate Michi ariki:

My husband and I served in Japan with OMF from 1958-1967 when OMF asked us to move to our international HQ in Singapore. [...] While in Singapore we began to hear about Mrs. Miura and when I started a small lending library of Japanese books I included hers. I had never achieved the 1800 kanji for reading. When a Japanese child was dying I lent some books to his parents who were spending all their time at the hospital. His father got engrossed in Michi ariki and began relaying the story to me. I felt it was much more effective to translate a book like that than to write English books about Japan so I started translating in my spare time.

Valerie went on to say how the limitations of her Japanese reading ability made the task time-consuming and arduous. But with the help of a friend who offered to write reading clues next to the harder kanji, she managed to complete the translation. That was the only Miura book she ever translated, and she says she could never do it again. But I --along with many other Miura fans-- will always be thankful that she did this wonderful work.

The Wind is Howling is out-of-print, but can sometimes be found for sale through online used book shops. Keep searching, and you may uncover this treasure yet.
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Monday, July 5, 2010

short story bitou/taillights posted


Bitou (Taillights) was written in the 70s, at the peak of Japan’s economic boom years when it was normal for Japanese “corporate warriors” to fully commit their time and energy to their workplace, and men spent little, if any, time with their wives and children. This story gives us a glimpse into the absence of purpose and broken relationships that awaited one such man in his retirement years. Even without particular knowledge of the cultural and economic background of the story, the situation should be familiar enough to 21st century Western readers. Bitou is included in the short story collection titled Dokumugi no toki (Season of the tares) published by Kodansha in 1983.

Last fall, I posted a call for Miura fans who would be willing to take time from their busy schedules to read my translation of this short story and give me feedback on several points. I am deeply indebted to the generous souls (you know who you are) who shared their time and thoughts with me. My translation of Bitou has undergone many transformations, and could certainly use even more polishing, but I'm eager to share it with you all, and have decided to go ahead and post it in its entirety on the Miura Ayako home page. I appreciate any feedback via the comment box below, although I may not be able to post them all. If you have thoughts about the story that you do not want me to post, please say so, and I will keep it between the two of us.
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Tuesday, June 8, 2010

upcoming miura book club events


I would like to introduce several Miura Ayako Book Club events taking place around the world this summer.

HONOLULU, HAWAII
A lecture on
the topic of Miura Ayako's historical novel Kairei, (Hidden Ranges) will take place from 10:00 AM to 12:00 Noon on July 6 (Tues) at the following location:

Makiki Christian Church
829 Pensacola Ave
Honolulu, Hawai'i

http://www.makikichristianchurch.org/  (English)
http://www.makikichurch.org/z000.html  (Japanese)

SEOUL, KOREA
The Miura Ayako Book Club member group that had its first meeting on March 19, will be meeting for the second time on June 16, Wednesday. If you would like details, please let me know.

AUCKLAND, NEW ZEALAND
A Miura Ayako Book Club event is scheduled for July 10 (Saturday) to 12 (Monday) with a series of lectures to be presented at three different locations. Mr. Yoshimitsu Hasegawa, founder and representative of the Miura Ayako Book Club, will be the speaker on all three occasions.

(1) Date & Time: July 10 (Saturday) 14:00~16:00

Location: Auckland Baptist Tabernacle Church
(429 Queen Street, Auckland 1010 tel: 09-377-4065) http://www.tabernacle.org.nz

Topic: Michi Ariki (Miura Ayako's autobiography, translated into English as The Wind is Howling)

(2) Date & Time: July 11 (Sunday) 14:00 ~ 15:30

Location: Auckland Japanese Christian Church
(3-5 Ngaire Ave. Epsom Auckland tel: 09-523-3346) http://ajcc.org.nz/

Program: A viewing of the DVD "Footprints of Miura Ayako" and lecture

(3) Date & Time: July 12 (Monday) 13:00~15:00

Location: Mairangi Bay Community Church      
(49 Maxwelton Drive, Mairangi Bay, North Shore, Auckland tel:09-476-0919)
www.mairangichurch.org.nz

Topic: Michi Ariki (Miura Ayako's autobiography, translated into English as The Wind is Howling)


PERTH, AUSTRALIA

A Miura Book Club event is planned for August. I will post details as soon as I can.
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Friday, May 7, 2010

silvery trace


Most of the posts on this blog have to do with Miura's works of fiction, but I hardly need tell you that she has written a huge number of wonderful and influential works of non-fiction as well. Silvery Trace is the English translation of Gin-iro no Ashiato, a dialogue between Miura Ayako and Hoshino Tomihiro, a former gymnastics teacher who became paralyzed from the neck down after a serious accident in the school gymnasium. During his long hospitalization, he learned to write and draw with an ink brush he held in his mouth.

"It was when I was bed-ridden on my back in the hospital that I read [Miura's] novel Shiokari Pass," Hoshino writes in the postscript to Silvery Trace. "The book shocked me with its amazing insight into life, though at that time I was quite ignorant of its author; [...] I was, at that time, like a straying sheep walking along a lonely path in the heart of darkness without knowing where to go. When I met Ms. Miura through her books, I felt as if I had encountered a person walking before me with glorious light and joy..." Soon after, Hoshino encountered the Bible and was baptized as a Christian.

Miura and Hoshino are now sister and brother in the faith. They share a love of and skill in poetry. They share a history of despair and suffering. But most of all they share the attitude expressed in Psalm 119:71-- It was good for me to be afflicted so that I might learn your decrees.

Hoshino's artwork, which is in the etegami style, brings the good news of hope in Christ to the afflicted all over Japan and in many other countries. It has been published as books, as postcards, and as calendars. Both the original Japanese version and the English translation of Silvery Trace were published by Inochi no kotoba-sha, but appear to be out of print at this time. Used copies can be found on the web. It is worth adding to your collection of Miura literature.

Note: If you have never heard of the art of etegami and are interested in learning about it, check out my etegami blog at http://etegamibydosankodebbie.blogspot.com.
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